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DSP Audio Effects: Modulation

This library guide offers a comprehensive introduction to audio effects (FX) processing—also known as audio signal processing—which can occur in either analog or digital form. Given the widespread use and affordability of digital technologies, the focus h

Definition

Modulation effects (FX) alter sound by varying certain parameters over time, typically using a low-frequency oscillator (LFO) or another control source. The main types of modulation effects include:  chorus, flanger, phaser, tremolo, vibrato, rotary speaker ("Leslie effect"), auto-pan, ring modulation, and multi-modulation fx.

Chorus

Duplicates the input signal, slightly delays and detunes the copy, then blends it with the original. The delay time is modulated to create a shimmering or widening effect.

Pitch Shift

Changes the pitch of an audio signal without necessarily altering its duration (time). It can raise or lower the pitch of vocals, instruments, or any other audio content.

Auto Pan

Automatically modulates the stereo position (panning) of the signal from left to right using an LFO.

Flanger

Similar to chorus but with a shorter delay time (typically < 20 ms), creating a comb-filtering effect. The delay is modulated with an LFO.

Tremolo

Modulates the amplitude (volume) of the signal at a regular rate using an LFO.

Ring Modulation

An audio effect that combines two signals — typically a carrier oscillator and an input audio signal — by multiplying their waveforms together. This process creates a new signal containing the sum and difference of the frequencies of the original two signals, while often removing the original frequencies themselves.

Phaser

Splits the signal and alters the phase of part of it. The phase-shifted signal is recombined with the original to create notches in the frequency spectrum that are swept using an LFO.

Vibrato

Modulates the pitch of the signal cyclically using an LFO, without affecting amplitude.

Rotary Speaker (Leslie Effect)