Hispanic Heritage Month- Ozark Campus: Print Books

Now a Hulu feature film directed by Eva Longoria Read the story everyone is talking about: how a janitor struggling to put food on the table invented Flamin' Hot Cheetos in a secret test kitchen, breaking barriers and becoming the first Latino frontline worker promoted to executive at Frito-Lay. Richard Montañez is a man who made a science out of walking through closed doors, and his success story is an empowerment manual for anyone stuck in a dead-end job or facing a system stacked against them.    Having taken a job mopping floors at Frito-Lay's California factory to support his family, Montañez took his future into his own hands and created the world's hottest snack food: Flamin' Hot Cheetos. This bold move not only disrupted the food industry with some much-needed spice, but also shook up a corporate culture in which everyone stayed in their lane. When a top food scientist at Frito-Lay sent out a memo telling sales and marketing to kill the new product before it made it to the store shelves--jealous that someone with no formal education beyond the sixth grade could do his job--Montañez was forced to go rogue once again to save his idea. Through creative thinking, community building, and a few powerful mindset shifts, he outsmarted the naysayers who tried to get in his way.   Flamin' Hot proves that you can break out of your career rut and that your present circumstances don't have to dictate your future.

Named One of the 24 Best History Books of All Time by Book Riot The Inspiring True Story of a Segregated Unit Whose Exploits Underscore the Forgotten Latino Contribution to the Allied Victory in World War II As a child, Dave Gutierrez hung on every word his father recalled about his cousin Ramon, "El Sancudo" (the mosquito), and his service in World War II, where he earned a Silver Star, three Purple Hearts, and escaped from the Germans twice. Later, Dave decided to find out more about his father's cousin, and in the course of his research he discovered that Ramon Gutierrez was a member of Company E, 141st Infantry, a part of the 36th "Texas" Division that was comprised entirely of Mexican Americans--the only such unit in the entire U.S. Army. The division landed at Salerno, Italy, in 1943, among first American soldiers to set foot in Europe. In the ensuing months, Company E and the rest of the 36th would battle their way up the mountainous Italian peninsula against some of Nazi Germany's best troops. In addition to the merciless rain, mud, and jagged peaks, swift cold rivers crisscrossed the region, including the Rapido, where Company E would face its greatest challenge. In an infamous episode, the 36th Division was ordered to cross the Rapido despite reports that the opposite bank was heavily defended. In the ensuing debacle, the division was ripped apart, and Company E sustained appalling casualties. The company rebounded and made the storied landings at Anzio and ultimately invaded southern France for a final push into Germany. The men of Company E distinguished themselves as rugged fighters capable of warring amid the rubble of destroyed villages and in the devastated countryside. Based on extensive archival research and veteran and family accounts, Patriots from the Barrio: The Story of Company E, 141st Infantry: The Only All Mexican American Army Unit in World War II brings to life the soldiers whose service should never have gone unrecognized for so long. With its memorable personalities, stories of hope and immigration, and riveting battle scenes, this beautifully written book is a testament to the shared beliefs of all who have fought for the ideals of the American flag.

A funny and poignant memoir about how as a teenager, TV writer Rafael Agustin (Jane The Virgin) accidentally discovered he was undocumented and how that revelation turned everything he thought he knew about himself and his family upside down. Growing up, Rafa's parents didn't want him to feel different because, as his mom told him: "Dreams should not have borders." But when he tried to get his driver's license during his junior year of high school, his parents were forced to reveal his immigration status. Suddenly, the kid who modeled his entire high school career after American TV shows had no idea what to do -- there was no episode of Saved by the Bell where Zack gets deported! While his parents were relieved to no longer live a lie in front of their son, Rafa found himself completely unraveling in the face of his uncertain future.   Illegally Yours is a heartwarming, comical look at how this struggling Ecuadorian immigrant family bonded together to navigate Rafa's school life, his parents' work lives, and their shared secret life as undocumented Americans, determined to make the best of their always turbulent and sometimes dangerous American existence. From using the Ricky Martin/Jennifer Lopez "Latin Explosion" to his social advantage in the '90s to how his parents--doctors in their home country of Ecuador--were reduced to working menial jobs in the US, the family's secret became their struggle, and their struggle became their hustle. An alternatingly hilarious and touching exploration of belonging and identity, Illegally Yours revolves around one very simple question: What does it mean to be American?

"People do not define you," Soledad O'Brien's Cuban mother repeatedly told her children. "You define yourself." And so this mixed-race, first-generation Latina American would go on to succeed in her field, ultimately becoming an anchor for CNN. O'Brien's remarks, like the others included in this volume, reflect on what it means to be Latino in the United States. For her, "It's succeeding, fulfilling the dream and then turning around and grabbing everybody else and making it happen for them too."The importance of education is a common refrain in the lives of the leaders represented here. Many reference one particular teacher or mentor who made a difference. The late Reverend Father Virgilio Elizondo, a professor at the University of Notre Dame, said his fifth-grade teacher changed his life. She taught him to love school and learning. Others remember the sacrifices made by parents so that their children could have more opportunities for a better life. In all, these writings are both a testament to perseverance and a guide to life, for readers of all backgrounds. Originally presented at the Latino Leaders Luncheon Series in Washington, DC, and other major cities, the personal stories included in this book are all by successful Latinos involved in a variety of occupations, from politics and sports to education and activism. Contributors include former Los Angeles Mayor Antonio Villaraigosa; former general manager of the New York Mets, Omar Minaya; and Dr. Francisco G. Cigarroa, the Chancellor of the University of Texas System. Their words will inspire readers of all ages to follow their dreams and help those less fortunate.

Latinas/os and Asians are rewriting the meaning and history of race in the American South by complicating the black/white binary that has frequently defined the region since before the Civil War. Arriving in southern communities as migrants or refugees, Latinas/os and Asians have experienced both begrudging acceptance and prejudice as their presence confronts and troubles local understandings of race and difference--understandings that have deep roots in each community's particular racial history, as well as in national fears and anxieties about race. Nuevo South offers the first comparative study showing how Latinas/os and Asians are transforming race and place in the contemporary South. Integrating political, economic, and social analysis, Perla M. Guerrero examines the reception of Vietnamese, Cubans, and Mexicans in northwestern Arkansas communities that were almost completely white until the mid-1970s. She shows how reactions to these refugees and immigrants ranged from reluctant acceptance of Vietnamese as former US allies to rejection of Cubans as communists, criminals, and homosexuals and Mexicans as "illegal aliens" who were perceived as invaders when they began to establish roots and became more visible in public spaces. Guerrero's research clarifies how social relations are constituted in the labor sphere, particularly the poultry industry, and reveals the legacies of regional history, especially anti-Black violence and racial cleansing. Nuevo South thus helps us to better understand what constitutes the so-called Nuevo South and how historical legacies shape the reception of new people in the region.

In 2004, four Latino teenagers arrived at the Marine Advanced Technology Education Robotics Competition at the University of California, Santa Barbara. They were born in Mexico but raised in Phoenix, Arizona, where they attended an underfunded public high school. No one had ever suggested to Oscar, Cristian, Luis, or Lorenzo that they might amount to much-but two inspiring science teachers had convinced these impoverished, undocumented kids from the desert who had never even seen the ocean that they should try to build an underwater robot.And build a robot they did. Their robot wasn't pretty, especially compared to those of the competition. They were going up against some of the best collegiate engineers in the country, including a team from MIT backed by a $10,000 grant from ExxonMobil. The Phoenix teenagers had scraped together less than $1,000 and built their robot out of scavenged parts. This was never a level competition-and yet, against all odds . . . they won!But this is just the beginning for these four, whose story-which became a key inspiration to the DREAMers movement-will go on to include first-generation college graduations, deportation, bean-picking in Mexico, and service in Afghanistan.Joshua Davis's Spare Parts is a story about overcoming insurmountable odds and four young men who proved they were among the most patriotic and talented Americans in this country-even as the country tried to kick them out.

A GOOD MORNING AMERICA BOOK CLUB PICK   "A vivacious, page-turning novel of rebellion and rebirth." --Xochitl Gonzalez, New York Times bestselling author of Olga Dies Dreaming and Anita de Monte Laughs Last A story full of passion and revenge, following one family living on the Texas Mexico border and a curse that reverberates across generations--"Fuentes has achieved something rare and indelible with this story of complex women." (Erika L. Sánchez)   In 1951, a mysterious old woman confronts Pilar Aguirre in the small border town of La Cienega, Texas. The old woman is sure Pilar stole her husband and, in a heated outburst, lays a curse on Pilar and her family. More than forty years later, Lulu Muñoz is dodging chaos at every turn: her troubled father's moods, his rules, her secret life as singer in a punk band, but most of all her upcoming quinceañera. When her beloved grandmother passes away, Lulu finds herself drawn to the glamorous stranger who crashed the funeral and who lives alone and shunned on the edge of town. Their unexpected kinship picks at the secrets of Lulu's family's past. As the quinceañera looms--and we move between these two strong, irascible female voices--one woman must make peace with the past, and one girl pushes to embrace her future. Rich with cinematic details--from dusty rodeos to the excitement of a Selena concert and the comfort of conjunto ballads played at family gatherings--this memorable debut is a love letter to the Tejano culture and community that sustain both of these women as they discover what family means.

Gabriela Menchaca and Edwin Saucedo are hardworking, undocumented employees at the Detmer Foods chicken plant in Springdale, Arkansas, just a stone's throw away from the trailer park where they've lived together for seven years. While dealing with personal tragedies of their own, the young couple endures the brutal, dehumanizing conditions at the plant in exchange for barebones pay. When the plant manager, Luke Jackson, fires Edwin to set an example for the rest of the workers - and to show the higher-ups that he's ready for a major promotion - Edwin is determined to get revenge on Luke and his wife, Mimi, a new mother who stays at home with her six-month-old son. Edwin's impulsive action sets in motion a devastating chain of events that illuminates the deeply entrenched power dynamics between those who revel at the top and those who toil at the bottom. From the nationally bestselling and Edgar Award winning author of Don't Know Tough and Ozark Dogs comes another edge-of-your-seat noir thriller that exposes the dark, bloody heart of life on the margins in the American South and the bleak underside of a bygone American Dream.

Four cousins navigate love, loss, and the meaning of family over the course of one memorable year in this heartfelt family drama. Cousins Mari, Erica, Selena, and Gracie are inseparable. They aren't just family but best friends--sharing secrets, traditions, and a fierce love for their abuelita. But their idyllic childhood ends when Mari's parents divorce, forcing her to move away. With Mari gone, the girls' tight-knit bond unravels. Fifteen years later, Mari's got the big house and handsome husband, but her life is in shambles. Erica's boyfriend just dumped her, and her new boss hates her. Selena can't seem to find her place in the world--not Mexican enough for her family, not white enough for her colleagues. And Gracie is a Catholic school teacher with an all-consuming crush, but she can't trust herself when it comes to romance. As rocky as the cousins' lives have become, nothing can prepare them for the heartbreaking loss of a loved one. When tragedy reunites them, will they remember their abuelita's lessons about family and forgiveness--or are fifteen years of separation too much to overcome?

NEW YORK TIMES BESTSELLER * "It's Lovecraft meets the Brontës in Latin America, and after a slow-burn start Mexican Gothic gets seriously weird."--The Guardian   IN DEVELOPMENT AS A HULU ORIGINAL LIMITED SERIES PRODUCED BY KELLY RIPA AND MARK CONSUELOS * WINNER OF THE LOCUS AWARD * NOMINATED FOR THE BRAM STOKER AWARD ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Vanity Fair, NPR, The Washington Post, Tordotcom, Marie Claire, Vox, Mashable, Men's Health, Library Journal, Book Riot, LibraryReads   An isolated mansion. A chillingly charismatic aristocrat. And a brave socialite drawn to expose their treacherous secrets. . . . From the author of Gods of Jade and Shadow comes "a terrifying twist on classic gothic horror" (Kirkus Reviews) set in glamorous 1950s Mexico. After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She's not sure what she will find--her cousin's husband, a handsome Englishman, is a stranger, and Noemí knows little about the region.      Noemí is also an unlikely rescuer: She's a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she's also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin's new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi's dreams with visions of blood and doom.   Her only ally in this inhospitable abode is the family's youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family's past. For there are many secrets behind the walls of High Place. The family's once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness.    And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind. "It's as if a supernatural power compels us to turn the pages of the gripping Mexican Gothic."--The Washington Post "Mexican Gothic is the perfect summer horror read, and marks Moreno-Garcia with her hypnotic and engaging prose as one of the genre's most exciting talents."--Nerdist "A period thriller as rich in suspense as it is in lush '50s atmosphere."--Entertainment Weekly

NEW YORK TIMES BESTSELLER * NATIONAL BOOK AWARD FINALIST * A "stunning" (America Ferrera) YA novel about a teenager coming to terms with losing her sister and finding herself amid the pressures, expectations, and stereotypes of growing up in a Mexican American home--from the author of Crying in the Bathroom "Alive and crackling--a gritty tale wrapped in a page-turner. "--The New York Times Perfect Mexican daughters do not go away to college. And they do not move out of their parents' house after high school graduation. Perfect Mexican daughters never abandon their family.   But Julia is not your perfect Mexican daughter. That was Olga's role.   Then a tragic accident on the busiest street in Chicago leaves Olga dead and Julia left behind to reassemble the shattered pieces of her family. And no one seems to acknowledge that Julia is broken, too. Instead, her mother seems to channel her grief into pointing out every possible way Julia has failed.   But it's not long before Julia discovers that Olga might not have been as perfect as everyone thought. With the help of her best friend Lorena, and her first love, first everything boyfriend Connor, Julia is determined to find out. Was Olga really what she seemed? Or was there more to her sister's story? And either way, how can Julia even attempt to live up to a seemingly impossible ideal?

It's Holy Week in the small town of Las Penas, New Mexico, and thirty-three-year-old unemployed Amadeo Padilla has been given the part of Jesus in the Good Friday procession. He is preparing feverishly for this role when his fifteen-year-old daughter Angel shows up pregnant on his doorstep and disrupts his plans for personal redemption. With weeks to go until her due date, tough, ebullient Angel has fled her mother's house, setting her life on a startling new path. Vivid, tender, funny, and beautifully rendered, The Five Wounds spans the baby's first year as five generations of the Padilla family converge: Amadeo's mother, Yolanda, reeling from a recent discovery; Angel's mother, Marissa, whom Angel isn't speaking to; and disapproving Tíve, Yolanda's uncle and keeper of the family's history. Each brings expectations that Amadeo, who often solves his problems with a beer in his hand, doesn't think he can live up to. The Five Wounds is a miraculous debut novel from a writer whose stories have been hailed as "legitimate masterpieces" (New York Times). Kirstin Valdez Quade conjures characters that will linger long after the final page, bringing to life their struggles to parent children they may not be equipped to save.